Saturday, January 31, 2009

Big Fish


Cast:
 Albert Finny as Edward Bloom
 Jessica Lange as Sandra Bloom
 Billy Crudup as Will Bloom
 Marion Cotillard as Josephine Bloom
 Helena Bonham Carter as Jenny
 Hailey Anne Nelson as 8 years old Jenny
 Robert Guillaume as Dr Bennett
 Matthew McGrory as Karl the giant
 Danny Devito as Amos Calloway
 Steve Buscemi as Norther Winslow
Directed by: Tim Burton


What could be more interesting than watching an adventure like those ones in the stories your father used to read you before bed? Big Fish doesn’t only take you to these beloved times to everyone's heart when you were a kid listening to those tales, but it takes you to the fantasy world of the tales itself.
The movie is based on a novel entitled the same title ''Big Fish'' written by Daniele Wallace. It consists of two parallel lines. The first one starts with a father Edward Bloom (Albert Finny) narrating a bed time story to his son in which the father is always the hero. Years pass by and the son grows up listening to these tales about his father and suddenly he finds it very hard to separate reality from fiction, the man from the myth. He does not know who his father really is. So, he decides to have no connection with his father whatsoever. It doesn’t last for long, after three years he goes back with his wife to his father's house because the father is dying and that's when the second line of the story begins, the exaggerated life story of young Edward Bloom (Ewan McGregor). It's more like a fairy tale, a story within the real story of the movie in which Ewan McGregor amuses us with his skillful performance and is able to draw our attention from the very first minute of his appearance to the last one. It starts with Edward Bloom volunteering to save his town from a giant man threatening it. Being a convincing charming man as he is Edward manages to convince the giant man Karl (late Mathew McGrory) to leave the town with him and seizes the chance to leave his town which is to him small for his ambitions.
Edward's first stop is an imaginary utopia like town where no one actually leaves. Here and despite the fact that the movie is full of lovely portraits, the setting was not distinguishing but the musing story behind Spectra and the dazzling performance of the town's people specially Jenny (8 years old Hailey Anne Nelson) and Norther Winslow (steve Buscemi) -a poet who reached Spectra 12 years ago and never dared to leave- work together with the other characters -who proved that there is no one character in the movie that is misplaced- and are able to draw a picture of this perfect town with the too sweet to be believed townspeople. The story goes on and Ed. being extraordinary like he describes himself dares to leave the town on his pursuit of ambition. Then, the movie takes us to another well arranged setting rich with colors and imaginary characters as if it is taken from a children's book (the circus). We also move to another remarkable performance by Danny Devito as (Amos Calloway) a fictional character and an owner of the circus where Ed. Bloom works in exchange of one piece of information every month about a girl he saw once and decided that she is the one. Here the story takes a romance turn and it just does not stop there. The movie keeps taking us from one place to another from a college campus full of yellow daffodils the favorite flower of Ed.'s beloved to the Vietnamese war with Elves Bresly singing in the background to western Texas in the year 1905. Moving from one part of the story to another was done professionally by making each setting individual and unique which makes the setting another hero with satisfying performance beside Ewan McGregor's. Of course, the movie keeps taking us back or if we may say forward to dying Edward Bloom (senior) shedding light on the father-son relationship between him and his son. So, we can say that it's not just a light adventure movie but a movie that deals with the special bond between a father and his son. How far should the father go with telling his son fictional stories and when should he start telling him the truth about the world. It also does not cancel the son's point of view which is the fact that a son would like to know some true stuff about his father -his idol- in order to be able to say proudly this is my father. So we see Will Bloom (Billy Crudup) following the leads in order to get the true version of things. The movie ends with a surprising ending that makes it a perfect masterpiece.
You can say that it is a movie that can draw your smile without telling one single joke. A movie in which the director was able to make use of all the potentials he could get. So, we see that the simple well made costumes of each stop of Edward's fiction story are very expressive and separate every place from the other by giving it a unique remark. Also the special effects create a mood that moves freely from a sad mood to a happy one to a challenging one not to mention the facial expressions of the actors themselves. In addition, the narration is so warm and brings back sweet memories whether it is the voice of Albert Finny or Ewan McGregor or even Helena Bonham Carter (as Jenny). All in all it is a family movie that is worthy of the two hours you and your family are going to spend on it.

Wednesday, November 5, 2008

Complex word stress

Suffixes carrying primary stress themselves:

In the examples given, which seem to be the most common, the primary stress is on the first syllable of the suffix. If the stem consists of more than one syllable there will be a secondary stress on one of the syllables of the stem. This cannot fall on the last syllable of the stem, and is if necessary, moved to an earlier syllable. For example, in 'Japan' 'Ja(pan)' The primary stress is on the last syllable, but when we add the stress-carrying suffix '-ese' the primary stress is on the suffix and the secondary stress is placed do not on the second syllable but on the first ' Japanese' 'Japa(nese)'
• Employee / emplↄiʹ i˸/ (ee)
• Chinese /ˏtʃaiʹni˸z/ (ese)
• Engineer /ˏendᴣIʹniᵊ/ (eer)
• Japanese /ˏdᴣaepᵊʹniᵊ/ (ese)
• Vinaigrette /ˏvinᵊʹgret/ (ette)
• Bhutanese /ˏbu˸tᵊʹni˸z/ (ese)
• Complain /kᵊm'plein/ (ain)
• Boutique /bu:'tik/ (ique)
• Explain /ik'splein/ (ain)
• Interviewee /intᵊvju'i:/ (ee)

Suffixes that do not affect stress placement
• Enjoy /in'dᴣↄi/ enjoyable /in'dᴣↄiᵊbᵊl/ (able)
• Center / 'sentᵊ/ central / 'sentrᵊl/ (al)
• Reason / 'ri:zᵊn/ reasonable /'ri:zᵊnᵊbᵊl/ (able)
• Historic /hi'stↄrik/ historical /hi'stↄrikᵊl/ (al)
• Donate /dᵊu'neit/ donating /dᵊu'neitiᵑ/ (ing)
• Renew /ri'nju:/ renewal /ri'nju:ᵊl/ (al)
• Person / 'p3:sᵊn/ personal /'p3:sᵊnᵊl/ (al)
• Turkey / 't3:ki/ Turkish /'t3:kiʃ/ (ish)
• Arbiter / 'a:bItᵊ/ arbitrage / 'a: bItra:3/ (age)
• Bell / 'beli/ bellyful / 'beliful/ (ful)

• Imprison /Im'prIsᵊn/ imprisonment /im'prisᵊnmᵊnt/ (ment)
• Bewilder /bI'wIldᵊ/ bewilderment /bi'wildᵊmᵊnt/ (ment)
• Rapid / 'raepId/ rapidly /'raepidli/ (ly)
• Simple / 'sImpᵊl/ simplify /'simplifai/ (fy)
• Danger / 'deIndᴣᵊ/ dangerous /'deindᴣᵊrᵊs/ (ous)
• Aware /ᵊ'weᵊ/ awareness /ᵊ'weᵊnis/ (ness)
• Yellow / 'jelᵊu/ yellowy / 'jelᵊui/ (y)
• Meaning /'mi:nIᵑ/ meaningless / 'mi:niᵑles/ (less)
• Lady / 'leIdi/ ladylike / 'leidilaik/ (like)
• Corner / 'kↄ:nᵊ/ cornerwise / 'kↄ:nᵊwaiz/ (wise)


Suffixes that influence stress in the stem:
• Nomad / 'nᵊumaed/ nomadic /nᵊu'maedik/ (ic)
• Adverb / 'aedv3:b/ adverbial /ᵊd'v3:biᵊl/ (ial)
• Atom / 'aetᵊm/ atomic /ᵊ'tↄmik/ (ic)
• Elect /I 'lekt/ election /I 'lekʃᵊn/ (ion)
• Defense / 'di:fens/ defensive /di'fensive/ (ive)
• Courage / 'kʌridᴣ/ courageous /kᵊ'reidᴣᵊs/ (eous)
• Captive / 'kaeptiv/ captivity /keep'tiviti/ (ity)
• Lexical /'leksikᵊl/ lexicography /leksi'kↄgrᵊfi/ (graphy)
• Atom / 'aetᵊm/ atomic / ᵊ'tↄmik/ (ic)
• Mystery / 'mistᵊri/ mysterious /mi'stiᵊriᵊs/ (ious)

Compound words:

If the first part of the compound is ( in a broad sense) adjectival, the stress goes on the second element with a secondary stress on the first. For example:
• Old fogey /ˏᵊuld'fᵊugi/
• Wide eyed /ˏwaid'aid/
• Slow motion /ˏslᵊu'mᵊuʃᵊn/
• Rough diamond /ˏrʌf 'daiᵊmᵊnd/
• Small minded /ˏsmↄ:l'maindᵊd/
• Over age /ˏᵊuvᵊ'eidᴣ/
• Sharp eared /ˏʃa: p'iᵊrd/
• Big bucks /ˏbig'bʌks/
• New moon /ˏnju:'mu:n/
• Blind date /ˏblaind'deit/

If however, the first element is (in a broad sense) a noun, the stress goes on the first element. For example:
• Ice box / 'aisbↄks/
• Eye sight / 'aisait/
• Oil can / 'ↄilkaen/
• West bound / 'westbaund/
• Stone ground / 'stᵊungraund/
• Ear drops / 'Iᵊrdrↄps/
• Moon light / 'mu:nlait/
• Plane load / 'pleinlᵊud/
• Play date / 'pleideit/
• School girl / 'sku:lg3:l/


Word class pairs:
When a pair of prefix-plus-stem words exists, both members of which are spelt identically, one of which is a verb and the other is either a noun or an adjective, the stress will be placed on the second syllable of the verb but on the first syllable of the non or adjective. Some common examples are given below:
• Insult / 'Insʌlt/ (n.) /In'sʌlt/ (v.)
• Influence / 'influᵊns/ (n.) /In'fluᵊns/ (v.)
• Comfort / 'kʌmfᵊt/ (n.) /kʌm'fᵊt/ (v.)
• Protest / 'prᵊutest/ (n.) /prᵊ'test/ (v.)
• Exercise / 'eksᵊsaiz/ (n.) /eks'ᵊsaiz/ (v.)
• Increase / 'Inkri:s/ (n.) /in'kri:s/ (v.)
• Interest / 'Intrᵊst/ (n.) /In'trᵊst/ (v.)
• Intern / 'Int3:n/ (n.) /in't3:n/ (v.)
• Transport /'traenspↄ:t/(n.) /traen'spↄ:t/ (v.)
• Interest / 'intrᵊst/ (n.) /In'trᵊst/ (v.)

Wednesday, October 8, 2008

About Syntax and Phrase Structure Rules







In the following lines we introduce a modest explanation of syntax and phrase structure rules:
At first we are starting with Syntax:
What is Syntax?
• "Syntax is the study of the principles and processes by which sentences are constructed in particular languages. Syntactic investigation of a given language has as its goal the construction of a grammar that can be viewed as a device of some sort for producing the sentences of the language under analysis."
(Noam Chomsky, Syntactic Structures, 1971)


• Another definition is that syntax describes the selection and order of words that make well-formed sentences and it does so in as general a manner as possible so as to bring out similarities among different sentences of the same language and of different languages and render them explainable. Since sentences are not just complex objects but symbolic objects that convey meanings, syntactic rules also need to account for the relationship between strings of word meanings and the entire sentence meaning, on the one hand, and the relationship between strings of word forms and the entire sentential phonetic form, on the other.

We cannot talk about syntax without mentioning the three grammar approaches which are:

First: Perspective approach
Refers to the structure of a language as certain people think it should be used. So, it is a view of grammar which sets out rules about the proper use of language.
Examples of prescriptive rules for English sentences are:
 You must not split an infinitive. '' to boldly go ''
 You must not end a sentence with a preposition
 You must say '' it's I'' instead of '' it's me''.
Therefore, according to this approach grammar is viewed as a set of normative rules; rules that tell us how we ought to speak and write.

Second: Descriptive approach It attempts to describe the regular structure of the language as it is used, not according to some view of how it should be used. In fact, these are rules that state what we in fact say. Analysts of this approach believe that what is correct and what is incorrect is ultimately a matter of what is accepted by society, for language is a matter of conventions within society. Thus, if everyone says '' it's me'' then surely '' it's me'' is correct English.

However, most of the rules of the traditional grammar that have been taught all over the years are prescriptive not descriptive. They prescribe forms that many of us would never normally use, and if we do, we feel we are ''speaking like a book''.

Both kinds of grammar are concerned with rules--but in different ways. Specialists in descriptive grammar (called linguists) study the rules or patterns that underlie our use of words, phrases, clauses, and sentences. On the other hand, prescriptive grammarians (such as most editors and teachers) lay out rules about what they believe to be the “correct” or “incorrect” use of language.

Third: Traditional approach
It only studied the particle of the sentence but not the structure of the whole sentence. So, it focuses more on subject verb agreement, gender, etc.

Interfacing with Grammar:

To illustrate these different approaches, let's consider the word interface. The descriptive grammarian would note, among other things, that the word is made up of a common prefix (inter-) and a root word (face) and that it’s currently used as both a noun and a verb. The prescriptive grammarian, however, would be more interested in deciding whether or not it is “correct” to use interface as a verb.

Here's how the prescriptive Usage Panel at The American Heritage Dictionary, 4th edition passes judgment on interface:

The Usage Panel has been unable to muster much enthusiasm for the verb. Thirty-seven percent of Panelists accept it when it designates the interaction between people in the sentence the managing editor must interface with a variety of freelance editors and proofreaders. But the percentage drops to 22 when the interaction is between a corporation and the public or between various communities in a city. Many Panelists complain that interface is pretentious and jargon.
Similarly, Bryan A. Garner, author of The Oxford Dictionary of American Usage and Style, dismisses interface as "jargon mongers' talk."
By their nature, all popular style and usage guides are prescriptive, though to varying degrees: some are fairly tolerant of deviations from Standard English; others can be downright cranky. The most irascible critics are sometimes called "the Grammar Police."
Though certainly different in their approaches to language, both kinds of grammar--descriptive and prescriptive--are useful to students.

In some, why do languages have syntactic rules? Because
• Most sentences consist of more than one word
• The selection and order of the words in sentences are not free
• The sum of the word meanings does not always equal the meaning of the entire sentence and the sum of the word forms does not always equal the phonological form of the entire sentence

The Value of Studying Grammar:
The study of grammar all by itself will not necessarily make you a better writer. But by gaining a clearer understanding of how our language works, you should also gain greater control over the way you shape words into sentences and sentences into paragraphs. In short, studying grammar may help you to become a more effective writer.
Descriptive grammarians generally advise us not to be overly concerned with matters of correctness: language, they say, isn't good or bad; it simply is. As the history of the glamorous word grammar demonstrates, the English language is a living system of communication, a continually evolving affair. Within a generation or two, words and phrases come into fashion and fall out again. Over centuries, word endings and entire sentence structures can change or disappear.
Prescriptive grammarians prefer giving practical advice about using language: straightforward rules to help us avoid making errors. The rules may be over-simplified at times, but they are meant to keep us out of trouble--the kind of trouble that may distract or even confuse our readers.
About Grammar & Composition attempts to integrate these two approaches to grammar--or, at the least, present them side by side. For instance, our discussion of the Basic Parts of Speech is primarily descriptive, while our lesson on Correcting Errors in Subject-Verb Agreement is obviously prescriptive.
Thus, the goal of this site is twofold: first, to deepen your understanding of the ways that the English language operates, and second, to serve as a practical guide as you work to become a more confident and effective writer. We look forward to hearing your suggestions on how we might do a better job of meeting both of these goals.
Phrase structure rules are a way to describe a given language's syntax. They are used to break a natural language sentence down into its constituent parts (also known as syntactic categories) namely phrasal categories and lexical categories (aka parts of speech). Phrasal categories include the noun phrase, verb phrase, and prepositional phrase; lexical categories include noun, verb, adjective, adverb, and many others. Phrase structure rules were commonly used in transformational grammar (TGG), although they were not an invention of TGG; rather, early TGG's added to phrase structure rules. A grammar which uses phrase structure rules is called a phrase structure grammar- except in computer science, where it is known as just a grammar, usually context free.

Definition:
Phrase structure rules are usually of the form A__ B C, meaning that the constituent A is separated into the two sub constituents B and C. some examples are
S__ NP VP
NP__ Det, N1
N1__ (AP) N1 (PP)
The first rule reads: An S consists of an NP followed by a VP. This means A sentence consists of a noun phrase followed by a verb phrase.
The next one: A noun phrase consists of a determiner followed by a noun.
And here is a more wide explanation:
• S__ NP VP
• NP Pro
(det) (adj) N (pp)


• VP__ (aux) v (NP) (pp) (adv p)
• PP __ prep NP
• Adj _ ( intens ) adj (pp)
• Det,
___ A, an, the
___ My, his, her
___ One, two, first, second
___ Mr., Miss, Mrs.
___ Few, little, much, all
___ Another, other
___ 's

There are three essential aspects of a sentence structure, the constituency of a sentence (the units into which it can be divide, such as words and phrases), the labeling of those units (with labels like 'noun' or 'adjective phrase'), and the ordering of those units relative to one another (for example, what comes before the verb, and what comes after, a crucial question in determining a sentence's meaning)…. A less obvious type of constituent is a phrase, which is a sequence of words which form a coherent group.
Associated with phrase structure rules is a famous example of a grammatically correct sentence. The sentence was constructed by Noam Chomsky as an illustration that syntactically but not semantically correct sentences are possible.

Colorless green ideas sleep furiously. Can be diagrammed as a phrase tree as in shape (1) 'press on the picture to see it clearly'
And here are some other examples of the sentence tree that helps analyzing the sentence structure:

 She looked for her key.
look at shape (2)'press on the picture to see it clearly'

 She works in an office
look at shape (3)'press on the picture to see it clearly'

 He will carry out a new project.
look at shape (4)'press on the picture to see it clearly'

 Tom and his friends know that I bought a present for Jane on her birthday.
look at shape (5)'press on the picture to see it clearly'

Of course we all agree on the sentence equation which is:
Sub + verb ± object ± subject complement ± adverb

And finally here are some reasons for saying that words are grouped into phrases
Meaning and phrase structure:
We begin by looking at the meaning of a sentence, and by focusing on a sentence (1) which is ''ambiguous'' that is, it has more than one possible meaning
(1) I was reading the letter to john
Before you go on decide what the two possible meaning of this sentence are
This sentence might mean:
(a) That there was a letter addressed to John which I was reading (perhaps to myself)
Or it might mean:
(b) That there was a letter (to me, perhaps) which I was reading aloud to John
We might say that there are two different sentences which look exactly the same (they both look like (1)), though they mean different things. Here we need to look for a structural difference between them which is not so immediately obvious. This difference is to be found in the different ways in which the words are grouped into phrases.

• Replacement and phrase structure:
We'll start with replacement. The word it can replace one of two sequences of words in (1), either the letter to John, giving (2), or the letter, giving (3)
(2) I was reading it.
(3) I was reading it to john.
We have taken an ambiguous sentence, (1), and turned into two alternative non-ambiguous sentences.

• Movement and phrase structure
Movement gives the same results as replacement, for sentence (1). If we move the letter to John as a group, we end up with a sentence which has meaning (a):
(4) The letter to John was being read by me.
If on the other hand we move the pair of words the letter on their own, we get meaning (b). this corresponds to the structure in (3), since it involves the idea that the letter is a phrase on its own:
(5) The letter was being read by me to John.
Presented by:
Sarah Nabil Abd El Aziz Mohammed
supervisor:
Dr. Mona Eid

Friday, October 3, 2008

Megan McCain Opens up...

"Here is an interview between Megan McCain and Larry KIng was aired on CNN news channel talking about her book 'My Dad, John McCain'"





-Larry King: wow, a children's book, I think aimed at five to ten year olds
-Megan: ummm
-Larry King: about your father..
-Megan: umm I just thought it would be a really great way to make my father's story accessible to children it's really fascinating, patriotic American hero story and I had actually met a lot of people on the trail that were familiar with his story and I just thought
-Larry King: really?!!
-Megan: Yeah I had met like twelve year olds around that age and they just thought he was a senator and I was like oh there is a lot leading up to his life so
-Larry King: you know kids really get involved now in campaigns
-Megan: yes
-Larry King: eight year olds, nine year olds, they support people
-Megan: I was just interviewed by twelve years old today who knew so much about politics
-Larry King: what did your dad think of the idea?!!
-Megan: he really likes it I think he is really pleased with it and obviously it's very sentimental it has us on the cover and I'm a little girl so he really likes it
-Larry King: how about your mom?
-Megan: she really likes it too they are very proud I'm lucky
-Larry king: do you like touring for a book
-Megan: yeah, it's like the campaign trail a little but I don't have you know all the people on the campaign around me, it's just my friends and the book people but it's fine
-Larry King: are you caught up in this campaign I mean by it will it start to affect you emotionally
-Megan: yeah definitely and I'm trying to separate myself from it but it's very difficult, I think anyone who has been on a campaign trail specially for as long as I've been you can't help it get emotionally caught up in it
-Larry King: were you surprised at his selection for vice president
-Megan: um I think to a degree everyone was surprised just because she was "unknown'' but I'm very very pleased with it I love her so I'm really excited about it
-Larry King: did you talk to him soon after?
-Megan: yes, yeah and I just told him how excited I was and how proud I am of the pick and I just I'm really honored to have a woman on the ticket
-Larry King: they had a little fun of her on the "Saturday Night Live''
-Megan: I saw
-Larry King: ya, we are gonna (going) show a clip of it and have you comment, Megan McCain is with us, the book is "My Dad John McCain'' watch…



-Sarah Palin: you know Hillary and I don't agree on everything
-Hillary: anything…. I believe that diplomacy should be the corner stone of any foreign policy
-Sarah Palin: and I can see Russia from my house
-Hillary: I believe global warming is caused by man
-Sarah Palin: I believe it's just God hugging us closer
-Hillary: I don't agree with The Bush Doctrine



-Larry King: They said she enjoyed it
-Megan: yeah yeah, I used to intern there so it's fantastic to see…
-Larry King: you interned at the "Saturday Night Live''
-Megan: aha
-Larry King: how was that like?
-Megan: I was incredible, I was there for the Ashley Simpson lip synching incident it was fantastic
-Larry King: while you were in Colombia
-Megan: aha when I was at Columbia, it was such a great experience I mean it's legendary and I'm still in big fans of Tina fey and Emmy puller so…
-Larry King: are you gonna be a writer
-Megan: I don't know I'd really love to write about the campaign trail when this is over from this sort of satirical stand point from the daughter's perspective but who knows
-Larry King: there has to be areas specially a young girl living in New York going to Columbia where she disagrees with her father, what are they?
-Megan: um I mean there is a lot of issues that I disagree with my father but there is a lot of issues that I agree with him as well and I never really felt comfortable coming out and saying what exact issues because I'm not the one running and I just think that it's important that I support him and what he is doing and it's really it
-Larry King: on my guess you would be for choice
-Megan: pardon me
-Larry King: choice
-Megan: oh I.. I don't wanna talk about that stuff if that's okay, I'd rather stick to my book -and the campaign than…
-Larry King: do you discuss politics with your father
-Megan: aha, ya
-Larry King: does he know when you agree or disagree?
-Megan: of course… yeah of course
-Larry King: so he knows
-Megan: of course
-Larry King: and he accepts this right?
-Megan: oh yeah, I mean my father isn't trying to mould me in his image and he is very open to other people's ideas and political beliefs and I think that's my favorite part about my father in the campaign it's just that you know not everyone thinks a like it's not as if this campaign is based on people they are all thinking, talking, looking or acting alike everybody is really different and has really different beliefs
-Larry King: how kind of father is he?
-Megan: great, I'm really lucky, I have a really great relationship with my dad, we've always been kindred spirits, and my mom calls me John McCain in a dress and we are… our personalities are a lot alike so we have a great relationship
-Larry King: that's could be daddy's daughter right?
-Megan: yeah… yeah
-Larry King: I mean are you in touch constantly
-Megan: oh yeah… I've just talked to him earlier, it's a good luck
-Larry King: so he knew you were coming here
-Megan: aha
-Larry King: I hear you blog right
-Megan: yah McCainblogit.com it's a website I've been doing for almost a year now at the -campaign and my friends back stage they do it ''Heather Brann'' she…. They do film and photos
-Larry King: so what do you do you come here and you blog this coming here
-Megan: aha we do everything I mean sometimes it's you know as nice as getting ice cream and sometimes it's as big as the debates or you know very intense things like primary night or election night we are gonna film everything even if I'm crying or laughing whatever so I think it's important
-Larry King: will you be in phoenix
-Megan: yah... yah
-Larry King: what do you make of those backing governor'' Palin'' who say if you are criticizing her it sexism
-Megan: I don’t think necessarily criticizing any candidate is sexism but I do think that sexism has played a role with the governor and with senator ''Clinton'' as well in his election but I don’t think criticizing a candidate no matter what gender is necessarily sexist
-Larry King: you say senator '' Clinton'' was a victim of it too
-Megan: I do
-Larry King: where will you be at the debate next week?
-Megan: Mississippi
-Larry King: yah
-Megan: yah, um we'll be blogging about it and I'll be with my father probably back stage and then in audience
-Larry King: are you nervous for him
-Megan: no, he's fantastic off the cuff and live answering questions that's why he's so good in town halls
-Larry King: what do you think of Senator ''Obama''?
-Megan: I think he is a really fantastic candidate as well, I really loved it, there is two such historical to get right now and I think he's been respectful and I'm just really enjoying election, you know I like him.
-Larry King: you will see the campaign get any dirtier
-Megan: I think politics by nature is dirty but I think as bad as it could be for the most part of people it's very respectful
******************************************
Resources:
http://edition.cnn.com/video/#/video/politics/2008/09/16/lkl.meghan.mccain.cnn?iref=videosearch
**************
Presented by:
Sarah Nabil Abd El Aziz Mohammed El Maghraby
http://sarahmaghraby.blogspot.com
Supervisor:
Dr. Mona Eid

Tuesday, April 22, 2008

Egyptian Markets


What do people need? A question only a good merchant can answer for it is the key word that will bring him cash and welfare. Since people are different in their taste, needs and also the amount of money each one is ready to pay, in each country there are different types of markets so that everyone’s needs can be satisfied. Egypt is not an exception. It is well known of its diversity of markets and consequently goods and their quality standards.

The first kind of markets is one known as street market. It is not one market actually, but there are plenty of those all over Egypt. As the name suggests, in street markets the products are simply scattered in the street usually on some table in a careless way that you would not even think that these products might actually attract anyone’s attention or make them just take a simple look. Yet, people do more than take a look. Selling in street markets has proved to be very profitable in Egypt and is considered by many a good way to earn their living, which leads us to an important question. What would make people disregard receiving good service, which is number one rule of how to market your products, and force them to accept this kind of low service? The products are cheap. That is true, since china is mainly one of the biggest suppliers of almost all of the Egyptian demands. China provides Egyptians with all what they need from head to toe and with very low prices that are tempting enough to be sold without even having to market them. It is some kind of Chinese policy that seems to be working in Egypt. The policy simply states that China produces millions of pieces of everything, law in quality but also law in price and simply sells them in any way possible.

‘Egypt Gets Hyper’, that was the headline of many articles marking the opening of a new category of markets in Egypt which is hyper markets, such as a French chain of supermarkets called ‘Carrefour’. They moved from selling only food to selling almost everything one needs. Unlike street markets, hyper markets like ‘Carrefour’, ‘Metro’ and a number of chains represent a different quality of service. The products are shown in a very neat way, there is enough lighting to make everything clear and if you have a question about where can you find some product or even about the price, you will find more than one person glad to help. Talking about prices, they seem to suit the middle class just fine as they are the reason why these chains are so successful. They are little more expensive than street products though. It is a little bit of a problem for people below the middle class but middle class seem okay to pay this extra amount for money regarding the good service they receive and the better quality they find the products in.

What about the high class rich people who enjoy spending money on so many products that do not seem vital to middle class people with limited pay check every month? Of course they have their own markets. They sell very expensive products that a large percentage of the Egyptians see these prices overrated. They even wonder what would make someone buy an outfit for five thousand pounds while they can buy one for six hundred pounds or may be lees. The secret is in the unique products these markets provide. Since these markets are branches of American chains. And since America _unlike china_ has this policy of producing unique pieces but very expensive that would be profitable as much as mass production profits, these markets provide their customers with more than just good service. They provide them with exclusive pieces that would distinguish every one of them than the other.

Whether you are ready to pay more or you can just pay little, whether you care about having distinctive products or you care more about having the product anyway, you will find what satisfies you in Egypt in street markets, hyper markets or even in fancy mall markets. Yet, the more you pay the more you will be pleased. All in all, in Egypt goes the old saying that says ‘’ it is always good to have money’’.


Monday, March 31, 2008

Japanese Style in Decision-Making

Talking about problem solving or decision making suggests investigating many complicated cultural forces and measuring the effects of these forces on modern life. It also means using dangerous comparisons and explaining certain fundamental concepts.

To comprehend the Japanese style of problem solving, we should realize the difference between the west and Japan regarding the professional identity. In the west, the stress is on what a man or a woman does for a living, while in Japan the most essential thing is what organization you are working for.

There are several features of the Japanese environment that in some way affect decision making. To begin with, we have the ‘’you to you’’ approach developed from the westerners’ ‘’I to you ‘’ approach. In the west, the ‘’I to you’’ approach is based on both sides introducing their argument from their own point of view. Consequently, a conflict situation is constructed. On the other hand, the ‘’ you to you’’ approach in Japan is based on trying to appreciate the other person’s opinion. Accordingly, the direction of the meeting is a shared effort to reducing confrontation and accomplishing an accord.

A second characteristic is one based on ‘’consensus opinion’’ or ‘’bottom up direction’’. In Japan, great regard is given to opinions of everyone of all levels. So, a decision making can be created at the lowest level. Unlike the case in Japan, the western style in decision making starts from top management and often does not consult middle management.

A third feature is negotiations. It is based on communication and it aims at achieving harmony which places time in different perspective. It means that the Japanese consider the western deadline approach secondary to a thorough job. They are careful in their meetings and production and are always raring to execution.

So, how Nomura securities in Japan has succeeded to escape the paper log jam? First, in Japan there is very advanced computerization. Worthy of saying is that when Nomura switched to computers, the company did not free the seven hundred employees but they became securities sales people and some of them are leading sales people of the company. Second, the employees responsible for processing the transaction stay till the job is done. Their willingness to participate is always an important aspect of a problem solving.

In conclusion, willingness and intelligence are two major elements a company needs to succeed.

This article is adapted from a speech by Mr. Terasawa, presidentd of Nomura Securities International, Inc., before the commonwealth club of San Francisco.

Summerized by:

Sarah N. Maghraby